Peace Treats Records – “Greetings from Orlando” PART FIN!

Sorry about the lapse in time for this last part, but the wait is well worth it. For our final installment we have Thee Wilt Chamberlain, The Pauses, and Luscious Lisa. Thanks to all the people who supported this run-through, it succeeded my expectations ten-fold, and I couldn’t have done it without all the help from the bands. Greetings from Orlando proves that this Central Florida city is worth much more than a corporate mouse. We have some of the best music in the country, and by the far the best music blog. Stay tuned in for more, because Orlando’s got much more to give, and I’ve got much more to write. Enjoy.

READ PARTS ONEDEUCETHIRD, AND NEXT TO LAST NOW!!!! THE FATE OF THE WORLD DEPENDS ON YOU!

Thee Wilt Chamberlain – “Breakfast at Taco Bell”

Thee Wilt Chamberlain produce the only pure instrumental on Greetings from Orlando. “Breakfast at Taco Bell” is fitting for the tail end of the compilation: a smooth cool comedown, relaxing in the shade, and sipping on something refreshing. Thee Wilt Chamberlain are a trio you want to party with. These guys have been around for a while, and they’ve become a pretty strong presence in the Orlando music scene. They’ll be playing at the Greetings from Orlando release show this on Wednesday @ Uncle Lou’s! Get yo damn ass there.


Yearning for more? Thee Wilt Chamberlain provide all you need on their Bandcamp.

The Pauses – “The Beginnings of Things”

The Pauses‘ fresh sound breaths new life into Greetings from Orlando. On “The Beginnings of Things,” the band manipulates guitar riffs, synthesizer melodies, and other sonic marvels to create a flurry of sound. There’s a lot going on here, but this track doesn’t seem out of place on the compilation. The distorted beats fire with as much intensity as any guitar-driven song, and the veil of fuzz that cloaks the track cements The Pauses’ garage sensibilities. They’re playing on March 22 @ Will’s with Five Eight and The New Lows. Don’t miss out.


The Pauses keep things rollin’ on their Bandcamp! Satisfaction guaranteed.

Luscious Lisa – “Cocksuckers (Uh Huh)”

I’ll go ahead and say it: I’ve never been a big fan of white girl rap. But, Luscious Lisa seems like she would beat Eminem (yes I’m calling Marshall Mathers white girl rap) in a bar fight, and for that, I love her. Although the song isn’t my flavor, I think it makes a great closer to Greetings from Orlando. “Cocksuckers (Uh Huh)” blindsides you, and by the end you have more questions than answers. But, I think those were her intentions.

Peace Treats Records – “Greetings from Orlando” PART NEXT TO LAST

We’re deep into the back half of “Greetings from Orlando,” and show no signs of slowing down. Only one more set left. Enjoy.

READ PARTS ONE, DEUCE, AND THIRD NOW!!!! I’LL KILL YOU.

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The Haroux – “Suzie Baby”

I’m really excited about what’s to come for The Haroux. Their first EP will be released in the next few months, and they’ve already proven themselves with their live show. “Suzie Baby” is an impressive taste of what’s to come.  The song starts as bare bones garage rock, but when the effects kick in, the song takes on new life. The vocals drone over the top of the instrumentation, effectively tying the two halves together. If you enjoy The Haroux’s Tame Impala-esque sonic experimentation, stay tuned, because “Suzie Baby” is just the tip of the iceberg.


Hear more from The Haroux on their Bandcamp!

ButterQueen – “Cover Up”

ButterQueen holds a special place in this blogger’s black heart. One of my earliest articles was covering a show featuring the three-some, and they gave me some much appreciated support. My first impression of Butterqueen: “Composed of one part Wet Nurse, one part Basements of Florida, and one part Tam Tam the Sandwich Man, this Frankenstein’s Monster came out swinging…Vocal duties [alternate] between salty and sweet, but their sound is all sleaze.” “Cover Up” keeps the whisky dreams alive, with a Stone’s influenced riff and numerous vocal melodies. Although ButterQueen may not be the most thought provoking Orlando band, they are without a doubt one of the raunchiest, and there music will keep you drinking, fighting, and fucking all night long.


ButterQueen survive on a diet of booze and cigarettes on their self-titled release out now!

Pasty Cline – “Fixed Point In Time”

Pasty Cline is like folk music put through a blender: messy, crass, and loud as hell. This solo-project by Girl on the Beach’s Connor Safran is a radical departure from his other work, and let’s us see another side of his musical personality. The whole song sounds like it was recorded with a shitty microphone in a single take. There’s an electric guitar buzzing in my ear, whilst Safran’s distorted voice blast through my speakers. The minimalist percussion consists of a thumping which evokes footsteps. One man, one message. Golden.


Haven’t gotten your fix? It’s okay. Pasty Cline has a whole album of jams just waiting.