St. Pete darlings Veiny Hands have been kicking ass for a year-and-a-half now, but they’ve really turned up the heat on this new song/video. The video, directed and edited by Michelle Primiani, features the foursome ripping through the “Mountain Goat” while their movements blur beneath a saturated filter. Enjoy.
Like many local creatives, Henderson Nguyen came to Orlando to study at the University of Central Florida. For his first couple of years, he stuck with the label of “student,” until a block party in the Milk District brought the Orlando arts community into the forefront of his mind. Since then, Henderson has fully submerged himself in the culture, modeling and shooting for local brands (NoXcape & CHROMATIQUE), filming music videos (SugarPlum & TOKYOxP), and creating his own niche as a photographer. His style is perfectly posed, bright images that tell a short, impactful story. One of his favorite subjects to work with is cigarettes; the aesthetic of the object and the multiple connotations — death, counterculture, cool — associated with smoking are all explored in his images. Sadly, this talent is off to LA to pursue his dreams, but he’s leaving us with a bittersweet send-off this Sunday (TODAY) at Spacebar, featuring rapper TEDD.GIF, DJ EMRLDTRACE, and indie pop sweetheart, SugarPlum.
Featured Image by @anand.vision.
Each of the artists performing has deep ties to Henderson and his time in Orlando. TEDD.GIF was instrumental in Hendy’s introduction to the ORL creative community, and he says that the two share similar mindsets when it comes to personal branding. EMRLDTRACE and Henderson went to high school in West Palm Beach and grew close once they started at UCF — and they’re moving to LA together. Henderson heard SugarPlum before anyone else; she had always wanted to give music a shot but wasn’t sure if anyone would listen. We’re lucky she did. He perfectly captured her sunny, colorful persona in his video for her song “All the Time.”
Poster by Maggie Scott.
Henderson plans to keep ORL on his tongue while meeting creatives in Los Angles. He looks forward to seeing the growth of (musicians) TEDD.GIF, SugarPlum, TOKYOxP, Tony Phat, Lanlord, (clothing brands) NoXcape, CHROMATIQUE, Phalse, (photographers) dy_n, daniel moncada, and (promoters) TSA Showcase. Come say goodbye to this awesome dude tonight at Spacebar!
The last FayRoy music video I covered was really mysterious. The visuals were esoteric, moody, and subtle. The song itself, “LIFE OR DEATH,” contained the line “It’s these lessons that we learn can be hard and not immediately clear.” For their just released single and video, the Saint Petersburg duo instead craft a story that is word-for-word translated before our eyes — eyes that are then stripped away by an evil spirit to spare our soul.
Inspired by an episode of The Twilight Zone, “Take My Eyes” tells the tale of two men as they come face-to-face with death himself. Drew, guitar/vocals for St Pete band Sonic Graffiti, begs on his hands and knees before choosing to lose his eyes over his ears. Vocalist Zack Hoag concurs in the chorus, “I’d rather live in the dark, then the thought of living without a song. So take my eyes.”
The other man, played by drummer Kyle Fournier, is kind of like a crack addict but with books. He decides to instead lose his hearing. But as deals with the devil usually go, both men end up dead as death goes on a rampage, killing the band just for kicks.
The Fay-boyz have a few ORL dates in December. Catch them Dec 17 at Sweater Fest and Dec 28 with the reunited Le Blorr, Saskatchewan, and Tiger Fawn at Will’s Pub.
The artist formerly known as Mr. 3 is having a great November. FIONA dropped “Galaxies” on Wednesday through EARMILK and graced Mass Appeal today with the video for the glittery, R&B-tinged single, “Sight For Sore Eyes.” Produced by ORL artistic collective Always Nothing, the moody visual is full of colorful shadows, both eerie and bright at the same time. FIONA mopes around his house party, bummed that his love interest (played by ORL looping empress Tiger Fawn) showed up dancing on another man. He raps confident bars throughout the song, elevating this woman and all her imperfections. FIONA is even approached by another woman but shows absolutely no interest in anyone other than his “Sight For Sor Eyes.”
DVWEZ (pronounced “Dames”) is a soothing ORL songstress who mixes synthpop, R&B, and electronic music into a wispy brew. “Haunted” comes from her debut PASTELS EP, released earlier this year through Drogue Records. Enjoy.
I often gauge a music video based on how it pairs with its song. In the case of “Haunted,” the two meld in a way that makes you question how one ever existed without the other. The visuals by Joe DeSantis are lucid as they flow with the songs cool production. The contrast is high as light seeps through the window behind DVWEZ, emotions flash similarly through her gentle voice. DVWEZ is as smooth as the synths; each line in the hook effortlessly trickles into the next.
The simple pleasure of eating an ice cream cone with someone you love. After watching SugarPlum’s music video for “All the Time” over-and-over, I feel at peace in the song’s cheerful, Frankie Cosmo-like melodies and the visual’s matching warm glow, directed by Henderson Nguyen. Although the lyrics beg to differ — “Can’t help you now, no longer your host” — joy radiates from the video/song. Catch SugarPlum tonight at Will’s Pub with Tiger Fawn and Zoya Zafar.
On September 25, Wet Nurse will release their second full-length album, So It Goes, via Recess Records. Directly after, the PBR punk quartet will embark on a two month, 37 show tour of the US and Canada. And don’t fret Orlando people. We get a date of our own, October 23, a glorious homecoming a mere week before FEST. (all dates here)
In preparation for this goodness, Wet Nurse and Orlando creative collective Always Nothing collaborated on the video for “Over It,” the album’s second song. The four tormented souls of Wet Nurse shotgun beers, smoke cigarettes, drink more beers, and spin in office chairs outside of an abandoned auto garage. Sorry mom. We just want to have fun. Don’t worry; we’ll end the night with some pizza…and more beers.
This video moves fast and packs a punch. The debauchery is woven into quick shots of the band ripping through the song at Uncle Lou’s. The chaos looks beautiful. This quality has become expected from Always Nothing, who’ve shot with fellow Orlandians (Common Man and Sailor Ripley) and international acts (Screaming Females). Oh, and I may or may not have interviewed Wet Nurse about the upcoming album. I’ll never tell. Enjoy.
My first affair with soft grunge babies [voice: affectionate], Dilly Dally, was their October 2014 track, “Green.” It’s a great song. check it out. They’ve released a few new tracks since then (also great), announced their debut full-length, Sore, and now, have appeared in their first music video for that album’s first single, “Desire.”
Chocolate legs are danglin’ from the skies, I get (Desire)
Milky waves are fallin’ from her eyes, I get (Desire)”
Although Dilly Dally are clear subscribers to the 90’s school of thought, dismissing them as off kilter 90’s revivalists is wicked and unfair. Because they’re more. Katie Monks growls like a reanimated Layne Staley whose jaw has rotten off. That allusion may be in poor taste, but try not to agree. Her refreshing aggression, along with a somber mood created by churning guitars and bass, makes Dilly Dally stand on their own.
If the question asked by this video is: ” What do the members of Dilly Dally ‘Desire?'” The answer is the following: skateboard, long strolls, looking at clouds, fresh linens, milk baths, and a sandwich (?). Unfortunately, what we desire can hurt us the most. Dilly Dally learns this lesson. Because sometimes that lovely stroll can lead to an egg being thrown at your head. Enjoy.
Fresh video from LA-based slacker duo, Sego. This feels like MGMT before MGMT sucked. Enjoy.